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SEASON 2024-2025

AUGUST 27 - SEPTEMBER 15, 2025

SEPTEMBER 5 2025 I FRIDAY I 10:00 AM

Venue : Cinematheque Centre Negros
Gatuslao Street, Bacolod City
* beside The Negros Museum
** Please note that we have a limited seating capacity and we shall implement first come, first served policy for this screening venue.

BOREAL
Feature Full-length Drama Sci-Fi Drama

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Boreal
Pelayo Muñiz Cabal I 2024 I

Spain I 1hr 36min

Drama, Sci-Fi I Spanish w/ English subtitles I Southeast Asian Premiere

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The first film to play in our Bacolod City leg is 'Boreal', a gripping sci-fi drama that turns an intimate gathering into a nerve-wracking puzzle of reality. Set against the eerie glow of a strange northern lights phenomenon, the film draws us into the fragile lives of Ana and Pablo, a couple still raw from the loss of their child. What begins as a simple reunion dinner with friends quickly fractures when one guest insists he is living an entirely different life wherein Ana is his partner, their son is alive, and the rest are strangers. As disbelief gives way to unease, Boreal transforms grief into a prism for cosmic uncertainty, leaving us to question whether the most haunting truths lie in our memories or beyond them.

SEPTEMBER 5 2025 I FRIDAY I 2:00 PM

Venue : Cinematheque Centre Negros
Gatuslao Street, Bacolod City
* beside The Negros Museum
** Please note that we have a limited seating capacity and we shall implement first come, first served policy for this screening venue.

THIS IS AN 18+ PROGRAM - ID NEEDED

IMAGE AS PHANTASM
Fantastic Competition Shorts 1 (of 2)

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The Shadow of Dawn

Olga Stalev I 2024 I
Estonia I 14:52 min Folkloric Fantasy I Estonian w/ English subtitles I Philippine Premiere

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Resistance
Carolina Ceca I 2024 I
Japan I 5:37 min Experimental, Video Art I No dialogue I Philippine Premiere

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Capturing the Ghost

Davi Melo I 2024 I
Brazil I 12:37 min Drama, Fantasy, Mystery I Portuguese w/ English Sub I Phil Premiere

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The Bottle

Tuan Kien I 2024 I
Vietnam I 8:25 min Drama, Fantasy I No dialogue I Philippine Premiere

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Canto

Guilherme Daniel I 2024 I
Portugal I 15 min Horror I No dialogue I Southeast Asian Premiere

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The Yarn Man

Cremance I 2024 I
Mexico I 9:59 min Fantasy, Experimental I No dialogue I Southeast Asian Premiere

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Mu

Javier Méndez Cañada I 2025 I
Spain I 14 min Drama, Fantasy, Horror I Spanish w/ English sub I Philippine Premiere

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Imago 
Rafa Dengrá Oliver I 2024 I
Spain I 10:57 min Horror I Spanish w/ English subtitles I Southeast Asian Premiere

Phantasms inhabit the space between apparition and memory. They can be conjured in a dream; trapped in an image; shaped by grief and longing. In this fantastic competition program (1) titled ‘Image as Phantasm’, each work moves through that liminal territory where reality is porous, allowing perception to slip toward the uncanny.
 

‘The Shadow of Dawn’ opens with a tale of transformation where a woman’s shadow embarks on a quest through enchanted landscapes to reclaim its owner before sunrise. In ‘Resistance’, the spectral takes form through a meditation on mortality, where poetry and visual rhythm merge to create an elegy that is intimate as it is expansive.
 

Haunting lingers in ‘Capturing the Ghost’, which follows three generations living under a family curse. Do memories act as phantasms? If so, how can one navigate through the difficulty of breaking the curse?

‘The Bottle’ turns its gaze inward, where a daughter’s quiet bond with a fish becomes a mirror to the emotional fractures left by her parents. The surreal surfaces in ‘The Yarn Man’, as a grandmother’s knitting gives life to a figure both protective and strange.

 

A man ventures repeatedly into the darkness in ‘Canto’, drawn towards a creature whose voice is incomprehensible yet urgent. ‘Mu’ confronts unresolved loss through an unsettling inversion, where a son’s care for his ailing father mirrors something familiar from the past.

‘Imago’ closes the program with the act of storytelling itself, its imagined horrors becoming as vivid as the fear they provoke.

 

This first of two sets of competition films explore the phantasm as a vessel for unhealed wounds and unresolved matters, allowing the filmmakers to settle the score for their characters. In most of the works, the images return when we least expect them. In their worlds, the ghostly is never far from the living.

IMAGE AS TRAVESTY AND JOCULARITY
Fantastic Competition Shorts 2 (of 2)

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Dagon

Paolo Gaudio I 2024 I
Italy I 6 min Horror, Fantasy I No dialogue I Southeast Asian Premiere

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She and Her Good Vibrations
Olivia Griselda, Sarah Cheok I 2023 I
Singapore I 10:48 min Animation, Comedy I English I Philippine Premiere

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Parking Area

Toru Masuyama  I 2022 I
Japan I 9 min Sci-Fi, Animation I No Dialogue I Philippine Premiere

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A Pleasure I Plazer bat

Sonia Estevez I 2024 I
Spain I 4 min Animation, Experimental I No Dialogue I Philippine Premiere

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An Artist's Curse

Steven J Mihaljevich I 2024 I
Australia I 10 min

Horror I English I Philippine Premiere

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Vivid

Bugoy Gandeza I 2024 I
Philippines I 12:32 min Drama, Horror I English I Philippine Premiere

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The A to Z of Being an Excellent Kid

Albert Aymar I 2025 I
Spain I 9:49 min Comedy, Fantasy I Spanish w/ English Sub I Southeast Asian Premiere

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Uncertainty Principle

André Brugnara Petry I 2025 I
Spain I 15:48 min Sci-Fi, Drama I Spanish w/ English Sub I Asian Premiere

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Vivir

Gerardo MaravillaI 2024 I
USA I 8:52 min Drama, Horror I English I Southeast Asian Premiere

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Bath Bomb

Colin G Cooper I 2024 I
Canada I 9.55 min Horror, Comedy I English I Southeast Asian Premiere

Humor and horror have always shared a border, and the second set of program of fantastic competition films gleefully crosses it. The films here have in them something strange, absurd and grotesque. Often they crisscross as filmmakers challenge the genres, sometimes consciously; at times, not. The stories here remind us that sometimes laughter can sharpen fear and that the joke may be on you so here's a cliché warning: be prepared for the unexpected.
 

‘Dagon’ reimagines Lovecraft’s cult tale through stop-motion, pulling us into the mind of a man on the edge haunted by his encounter with a godlike sea creature. Memory and madness mingle in intricate, tactile frames.
 

Pleasure takes center stage In ‘She and Her Good Vibrations’ until it starts to blur the boundaries of reality. What begins with a playful premise slips into something more disorienting.
 

‘Parking Area’ is devoid of animated gimmicks. A seemingly mundane late-night stop becomes a moment suspended into the unknown.

With quiet charm , ‘A Pleasure’ elevates the trivial into something engaging. It turns its gaze to the small, often unspoken delights of daily life.
 

‘An Artist’s Curse’ layers psychological terror onto the act of creation. A child’s drawings hide a predator, and the shadows they cast stretch far into adulthood. There’s a seemingly disturbing intimacy between motherhood, trauma and art.
 

In ‘Vivid’, workplace humiliation drives a desperate intern into the arms of forbidden magic. The film gambles with morality, ambition and the temptation to let darkness do bidding.
 

‘The A to Z of Being an Excellent Kid’ offers a playful fable about good behavior and bad influence, though its lesson may not be as straightforward as it first appears.

‘Uncertainty Principle’ imagines survival in a post-apocalyptic wasteland where the rules of presence and absence are never certain. Following Nel’s search for Dàlia, who flickers in and out of existence, the film unfolds as a meditation on grief, intimacy and the unsteady ground we call reality. 

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The vampire in ‘Vivir’ is less monster than mirror, offering the artist a refracted view of her own life. It begins with despair and ends in an unexpected offer. Talk about silent twists.
 

And in Bath Bomb, romance curdles in a tub scented with malice. A domestic quarrel escalates toward the grotesque, where intimacy becomes the stage for control and cruelty.
 

There is nothing light in how travesty and jocularity are explored in these films. Both can bite. Deep and sharp. The mix of the two makes for fun and frightening viewing.

SEPTEMBER 5 2025 I FRIDAY I 6:00 PM

Venue : Cinematheque Centre Negros
Gatuslao Street, Bacolod City
* beside The Negros Museum
** Please note that we have a limited seating capacity and we shall implement first come, first served policy for this screening venue.

THIS IS AN 18+ PROGRAM - ID NEEDED

SCARLET CURTAINS FALL [FOCUS:SPAIN]
Shorts Program 6

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The Wicked Game of Ice Cubes I El Perverso Mundo de los Cubitos de Hielo

Joaquín Górriz I 2025 I
Spain I 23:27 min I Drama, Thriller I Spanish w/ English sub I International Premiere

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The Nest I El Nido

Ignacio Rodó I 2025 I
Spain I 7 min I Thriller I English I Southeast Asian Premiere

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Listen

Javi Prada I 2024 I
Spain I 9:15 min I Horror, Thriller I Spanish w/ English sub I Southeast Asian Premiere

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A Day in the Countryside I Una dia del camp

Albert Portal I 2024 I

Spain I 13 min I Horror, Comedy I Spanish w/ English sub I Philippine Premiere

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Night Shift: Wrong Place I Turno de noche: el lugar equivocado

​Juanjo Avi I 2023 I
Spain I 14:59 min I Fantasy, Experimental I Spanish w/ English sub I Philippine Premiere

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Set Menu I Menú del día
Denim Candenza I 2024 I
Spain I 8 min I Horror, Comedy I Spanish w/ English sub I Southeast Asian Premiere

As the evening welcomes the darkness, ‘Scarlet Curtain Falls’ Focus:Spain (Shorts Program 6) aptly describes the collected films. A metaphor for blood or desire, shame or passion, the scarlet curtain drops heavy and abrupt when we see the program as a whole. Like shadows, these works by Spanish filmmakers will linger even after the screening, reminding us that behind every part of our daily life has a fissure waiting to be exposed. This collection of shorts brings us into that fragile space where one’s fear is tested in very creative ways.
 

In ‘The Wicked Game of Ice Cubes’, the routinary rhythms of factory life conceal a storm of obsession. Nerea’s devotion to her boss turns from tender to terrifying, showing how love, when twisted by desperation, can strip away reason. By contrast, ‘The Nest’ pares intimacy down to its most delicate moment: the first night of bringing someone home. What begins with quiet anticipation teeters on the edge of unease. The act of intimacy here will be confronted by an act of protection but it is wise to see the double meaning ahead of the twist. 
 

‘Listen’ takes us into the glittering but ruthless world of the music industry, where a young singer’s long-awaited breakthrough carries with it a price she never imagined. A mysterious gift promises inspiration but demands she surrender part of herself in return, asking how far one will go to keep a dream alive. ‘In A Day in the Countryside’, a seemingly ordinary family trip unfolds like a tableau of social order. Slowly, however, the picture warps, leading its characters toward a place that is anything but pastoral. A story exposing cracks in the façade of class, tradition and authority.
 

Night falls in ‘Night Shift: Wrong Place’, where a junkyard watchman faces more than just another long and lonely shift. The arrival of a killer and his would-be victim turns the scrapyard into a stage for survival, a place where chance and brutality collide. Finally, ‘Set Menu’ wickedly closes the program with dark humor, reminding us that even something as simple as dinner with a friend can spiral into unexpected cost, where a careless joke reshapes the meaning of appetite and consequence. Bon appétit!
 

All six films in ‘Scarlet Curtains Fall’ seem to look like normal encounters but it is the makers and the characters they create that bring menace to the films. Each film pulls at the thin fabric between safety and danger; comedy and cruelty. The Spanish filmmakers make sure that the curtain does not rise again in these tales. It collapses like a final gesture, leaving us in the dark to consider what stays in our memories after the last image fades.

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